Just Kids: An Autobiography

RM96.93 RM107.82

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By Smith Patti

Paperback – English

ISBN: 0060936223
EAN: 9780060936228
Publisher: ECCO PR
Publication Date: 02/11/2010
Pages: 320
Dimension: 20.83cm x 13.46cm x 2.29cm
Age Group: NA to NA
Grades: Not Applicable to Not Applicable
Lexile Level: 0
Award: –

About Author: Smith Patti

Patti Smith is a writer, performer, and visual artist. She has recorded twelve albums, including Horses, which has been hailed as one of the top 100 albums of all time. She has written numerous books, including Witt, Babel, Woolgathering, The Coral Sea, Auguries of Innocence, and Just Kids, which won the National Book Award for Nonfiction. In 2005, the French Ministry of Culture awarded Smith the prestigious title of Commandeur des Arts et des Lettres, the highest honor awarded to an artist by the French Republic. She was inducted into the Rock and Roll Hall of Fame in 2007. She resides in New

Categories:

Biography & Autobiography – Music
Biography & Autobiography – Women
Biography & Autobiography – Personal Memoirs

Also Available In: Hardcover (01 Jan 2010)



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Description

By Smith Patti

Paperback – English

Smith’s evocative, honest, and moving coming-of-age story reveals her extraordinary relationship with artist Robert Mapplethorpe. Part romance, part elegy, “Just Kids” is about friendship in the truest sense, and the artist’s calling. …

WINNER OF THE NATIONAL BOOK AWARD

“Reading rocker Smith’s account of her relationship with photographer Robert Mapplethorpe, it’s hard not to believe in fate. How else to explain the chance encounter that threw them together, allowing both to blossom? Quirky and spellbinding.” — People

It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.

Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence and enthusiasm, they traversed the city from Coney Island to Forty-Second Street, and eventually to the celebrated round table of Max’s Kansas City, where the Andy Warhol contingent held court. In 1969, the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous, the influential artists of the day and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other. Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years.

Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late sixties and seventies and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists’ ascent, a prelude to fame.

It was the summer Coltrane died, the summer of love and riots, and the summer when a chance encounter in Brooklyn led two young people on a path of art, devotion, and initiation.

Patti Smith would evolve as a poet and performer, and Robert Mapplethorpe would direct his highly provocative style toward photography. Bound in innocence and enthusiasm, they traversed the city from Coney Island to Forty-second Street, and eventually to the celebrated round table of Max’s Kansas City, where the Andy Warhol contingent held court. In 1969, the pair set up camp at the Hotel Chelsea and soon entered a community of the famous and infamous–the influential artists of the day and the colorful fringe. It was a time of heightened awareness, when the worlds of poetry, rock and roll, art, and sexual politics were colliding and exploding. In this milieu, two kids made a pact to take care of each other. Scrappy, romantic, committed to create, and fueled by their mutual dreams and drives, they would prod and provide for one another during the hungry years.

Just Kids begins as a love story and ends as an elegy. It serves as a salute to New York City during the late sixties and seventies and to its rich and poor, its hustlers and hellions. A true fable, it is a portrait of two young artists’ ascent, a prelude to fame.

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